新冠肺炎危機使世界秩序產生巨大影響，人類仰賴的社會系統停滯崩壞，本作以移動為結構編織的核心，深探人類隔離之概念，以及人類在孤立中為維持生命的建造，在自然與非自然的環境下建構身體感知空間的內外關係。作品以四階段的感官衝擊建構循序漸進的開展意識敘述，透過移動行走、擴延電影及傳感聲響演出，揭露一層層「自然」風景，與觀眾一起重新調節我們此刻的共同現實與未來。

The COVID-19 pandemic has substantially influenced the order of the world. Many social functions that support our modern lifestyles have either been stagnated or facing collapse. Sun Moon Lake is a Concrete Box centers its structural core around an exploration of mobility, delving deep into the topic of isolation, as well as how humans within isolation continue building their lives and navigating the inner and outer worlds of bodily senses in relation to natural and artificial environments. Through four stages of sensory impact, this work gradually constructs a narrative of unfolding consciousness, and unveils various “natural” landscapes through moving on foot, expanded cinema and sound, engaging the audience in readjustment of the present reality and the future that we shared.

林亭君（台灣），藝術組織lololol共同創辦人，熱衷研究太極哲學、人類認知程序和科技的進程，關注社會行為及傳播文化。近年來將其個人的太極武術練習與藝術創作建立對話聯繫，持續進行中的藝術項目《3C形意拳》是一套開源協作的新內家拳法，以互動開發方式收集大眾與數位科技物之間的身體經驗與關係。長期項目「未來道」2017年於台北當代藝術中心啟動，作品以實驗性的藝術實踐重新思考古今身心技術。

張欣（加拿大），藝術計畫lololol的共同創辦人，其聲音作品像是剖開的生命體，暴力且脆弱，裸露地展現內部運動中情緒、力量和道德之間的複雜關係。受斯賓諾莎和道家哲學所影響，將身體視為一個持續被情感彈奏的樂器，進行中的計畫以聲音的角度理解亞洲醫學系統的身體詮釋。目前協力進行的Future Tao項目關注於道思想所發展的身心技術之當代面貌。

利安．摩根（Liam Morgan），1982年出生於加拿大，視覺藝術家、電影攝影師、曼谷雙年展發起者之一。他以帶有介入與斷裂感的手段創作，其作品往往具有干涉主義意味，作品以光為主要媒介。2002年於清邁大學開始接觸政治學、人類學與都市發展研究，並輾轉進入藝術領域，其後加入Images Asia行動主義紀錄片團隊，並定居於曼谷。

Xia LIN (Taiwan) is the co-founder of the art organization, lololol. Enthusiastically studying Tai Chi philosophy, human cognitive processes and technological progresses, her practice centers on social behaviors and communication culture. In recent years, she has facilitated dialogues and connections between her personal practice of Tai Chi, martial arts and artistic creation. Her ongoing project 3C Xing Yi Quan is an open-source new form of internal martial arts that utilizes a method of interaction and development to gather bodily experiences and relations between the public and digital technologies. Her long-term project Future Tao was launched at Taipei Contemporary Art Center in 2017, with works that reconsider ancient and modern technologies of body and mind through experimental art practices.

Sheryl CHEUNG (Canada) is the co-founder of the art project, lololol. Like an open, metabolic body, her sound palette is vulnerable and harsh at the same time, unreservedly unveiling the complicated relationship among emotion, power and moral order permeating internal movement. Influenced by Spinoza and Taoist philosophy, she experiments with the idea of the body as an instrument that is continually played by affects. Her ongoing project focuses on sound and medicine through the interpretation of the body in Asian medicinal systems. She is now collaboratively working on Future Tao, a project that explores Taoist-informed mind and body technologies in the contemporary context.

Liam MORGAN was born in Canada in 1982. He is a visual artist, cinematographer and co-founder of the Bangkok Biennial. His art practice involves interference and disruption. His work, which is primarily based on the medium of light, often exudes a sense of interventionism. He had started studying politics, anthropology and urban development at Chiang Mai University in 2002 before entering the field of art. He later joined the actionist documentary team Images Asia and took up residence in Bangkok.