為臺灣音樂館「2019臺灣音樂憶像系列」第六場。邀請五位作曲家以臺灣音樂或文化為素材進行音樂創作，並由德國E-MEX樂團及國內傑出傳統樂器演奏家演出新曲。作曲家跨越不同世代，分別是代表三十歲世代的陳立立與劉韋志；代表四十歲世代的林梅芳與李政蔚，以及代表五十歲世代的蕭慶瑜。其創作向度包含臺灣東部聲景、政治議題與社會紛雜、個人生命經驗與心境、及取自民謠的音樂記憶轉化、由南管啟發的時間韻律遐想，透過東西方的音樂合作，開展自由寬闊的「臺灣音樂」演繹。

This concert was the sixth session of Taiwan Music Institute’s program, “The 2019 Taiwan Music Image,” and commissioned five Taiwanese composers to create music works based on Taiwanese music or culture. These new music pieces were then performed by E-MEX Ensemble from Germany and outstanding traditional instrument musicians from Taiwan. The invited composers are from different generations. Representing the generation of those in their thirties are Chen Lily and Liu Wei-Chih, the generation of those in the forties are Lin Mei-Fang and Lee Cheng-Wei, and the generation of those in the fifties is Hsiau Ching-Yu. The dimensions of their creative works include the soundscape of Taiwan’s east coast, political issues and social unrest, personal life experience and state of mind, transformation of folk music memory as well as fantasy about temporal rhythm inspired by nanguan music. Through the musical collaboration between the East and the West, the concert has unfolded a free and expansive interpretation of “Taiwanese music.”

李政蔚／策展人、作曲家
國立中山大學音樂研究所作曲碩士。2009、2010年獲教育部文藝創作獎。2016、2017年作品獲國藝會創作補助，並於臺北國際現代音樂節中發表。2018年擔任沈錦堂老師紀念音樂會「俠情山水・客家頌」策展人。曾任中華民國現代音樂協會秘書長，現任中華民國現代音樂協會理事。現任教於國立臺灣藝術大學音樂系及國高中音樂班。

林梅芳／作曲家
國立臺灣師範大學音樂系學士、伊利諾大學香檳分校作曲碩士、加州大學柏克萊分校作曲博士。曾於巴黎高等音樂院與巴黎IRCAM電腦音樂中心進修。曾任伊利諾大學專任客座作曲助理教授，美國德州理工大學專任作曲副教授。作品曾於多項國內外國際作曲比賽獲獎、演出，作品並收錄於臺灣、法國、義大利、英國、美國與紐西蘭等地出版發行之專輯。現為國立臺北藝術大學專任作曲副教授。

陳立立／作曲家
美國加州大學柏克萊分校音樂哲學博士、國立臺北藝術大學學士與碩士。作品探索聲響色彩與細微錯綜語法，展現對文學、情感或當代社會的觀察。近年作品獲國內外獎項與委託邀約，參與美國Underwood New Music Readings、June in Buffalo音樂節、Mise-en音樂節、亞洲作曲家聯盟音樂節等演出，並與國內外多個樂團合作。現為國立臺北藝術大學音樂系專任作曲助理教授。

劉韋志／作曲家
國立臺北藝術大學音樂系作曲碩士、東吳大學音樂系作曲學士。曾受多個表演藝術單位委創或演出作品，包括臺灣傳藝金曲獎、兩廳院新點子樂展、國家交響樂團、采風樂坊、十方樂集、莎士比亞的姊妹劇團、朱宗慶打擊樂團，以及德國KNM Berlin、匈牙利THReNSeMBLe、美國Alea III、奧地利iKultur、義大利Composit新音樂節、新加坡華樂團和香港創樂團等。

蕭慶瑜／作曲家
國立臺灣師範大學音樂系學士、巴黎師範音樂院作曲高等文憑、及國立巴黎高等音樂院「廿世紀音樂風格寫作」班高等文憑與第一大獎畢業。創作作品包含交響樂團、合唱、室內樂與獨奏唱等；亦致力於東、西方樂器混合編制之寫作，並持續在國內與歐、美等地展演。曾出版專書：《梅湘〈二十個對聖嬰耶穌的注視〉之研究》與《法國近代鋼琴音樂：從德布西到杜悌尤》。現為國立臺灣師範大學音樂系專任教授。

E-MEX 樂團
1999年由六位德國科隆及西部魯爾區的音樂家組成的獨立新音樂合奏團。近年在多國巡迴演出獲得廣泛好評。樂團委託創作大量作品並進行許多世界首演，亦有CD發行及廣播錄音。樂團與區域作曲家定期合作，並探索呈現新音樂的非常規方式，其音樂會試圖與視覺、戲劇、舞蹈、文學、表演藝術或多媒體作品連結。目前E-MEX以十名音樂家為核心。

陳麒米／笙
笙演奏家及音樂創作人，現任於臺灣國樂團、中國民族管絃樂學會笙名譽理事。近年與國內外重要音樂家及樂團合作，獨特的音樂風格中極具生命力與感染力。

楊宜樺／古箏
古箏演奏家。畢業於國立臺灣大學音樂學研究所、國立臺南藝術大學中國音樂學系。近年積極參與現代音樂作品發表，受邀演出多首傳統樂器編制的新創作品而獲好評。

國立傳統藝術中心臺灣音樂館
本館源於文建會（文化部之前身）1990年起籌設的「民族音樂中心」，2002年併入國立傳統藝術中心為其派出單位，並定名為「民族音樂研究所」。2008年配合組織整併，更名為「臺灣音樂中心」。2012年5月文化部成立，再更名為「臺灣音樂館」，2016年進駐臺灣戲曲中心。致力於臺灣音樂史料的保存研究，深化臺灣音樂研究能量；同時透過展演詮釋、人才培育、鼓勵原創與資源共享，傳承臺灣多元音樂文化及精神，延續臺灣音樂的脈動。

LEE Cheng-Wei / Curator, composer
Lee Cheng-Wei holds an MA in Art Theory (Theory and Composition) from National Sun Yat-sen University. He was the recipient of the 2009 and 2010 Literary and Artistic Creation Award, Ministry of Education. In 2016 and 2017, he was the recipient of the National Culture and Arts Foundation grants for chamber music creations in the Taipei International New Music Festival. He was the curator of the memorial concert for Chen Jin-Tang, entitled Legendary Landscapes of Wuxia & Symphonic Poem to Hakka in 2018. He was Secretary-General of the International Society for Contemporary Music - Taiwan Section, and is now its council member. He is currently teaching at the Department of Music, National Taiwan University of Arts and music classes for talented students in several junior and senior high schools.

LIN Mei-Fang / Composer
Lin Mei-Fang holds a BA in Composition and Theory from National Taiwan Normal University, an MA in Composition from the University of Illinois at Urbana Champaign, and a PhD in Composition from the University of California at Berkeley, USA. She also studied at the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP) and IRCAM in Paris, France. She was Visiting Assistant Professor of Composition at the University of Illinois at Urbana-Champaign and Associate Professor of Composition at the Texas Tech University. Her works have been domestically and internationally honored by and performed in various composition competitions, and have been included in music albums issued in Taiwan, France, Italy, the UK, the US and New Zealand. She is now Associate Professor of Composition at the National Taipei University of the Arts.

CHEN Lily / Composer
Chen Lily receives her BFA and MM from Taipei National University of the Arts, and holds a PhD in Music Composition from the University of California at Berkeley, USA. Her work explores timbral materials with subtle theatrical potentials in both acoustic and electronic music, which convey her observations on literary, emotional, or social aspects of the contemporary condition. In recent years, she has been honored by awards in Taiwan and abroad and has been commissioned to compose new works. She has participated in Underwood New Music Readings, June in Buffalo, Mise-en Festival, Asian Composers League Conference and Festival, etc., and collaborated with various orchestras from Taiwan and around worldwide. She is now Assistant Professor of Composition at the Department of Music, Taipei National University of the Arts.

LIU Wei-Chih / Composer
Liu Wei-Chih holds a BA in Composition from Soochow University and an MFA in Composition from Taipei National University of the Arts. He has been commissioned by or performed for numerous performing arts institutions, including Taiwan Golden Melody Awards for Traditional Arts and Music, National Theater and Concert Hall’s Innovation Series Music, National Symphony Orchestra, Chai Found Music Workshop, Forum Music Hall, Shakespeare's Wild Sisters Group, Ju Percussion Group, KNM Berlin (Germany), THReNSeMBLe (Hungary), Alea III (USA), iKultur (Austria), Composit New Music Festival (Italy), Singapore Chinese Orchestra, Hong Kong New Music Ensemble, etc.

HSIAU Ching-Yu / Composer
Hsiau Ching-Yu holds a BA from the Department of Music, National Taiwan Normal University and a Diplôme Supérieur de Composition from École Normale de Musique de Paris. She was awarded the First Prize when graduating from the “Ecriture du 20ème Siècle” at Conservatoire National Supérieur de Musique de Paris. Her works include symphonic music, choir music, chamber music and recital. She has endeavored in composing music with mixed arrangement of eastern and western music instruments while continually presenting performances in Taiwan, Europe and the US. She is the author of various publications, including The Study of Three Themes in Messiaen’s “Vingt Regards sur L’Enfant-Jesus” and French Contemporary Piano Music: from Debussy to Dutilleux. She is currently Professor at the Department of Music, National Taiwan Normal University.

E-MEX Ensemble
E-MEX Ensemble was founded in 1999 by six musicians from Cologne and Ruhr District in Western Germany. E-MEX has received wide acclaim for its recent concert tours in several countries. The ensemble has been commissioned to create numerous works and have presented many world premieres in addition to the large number of recordings for CDs and radio broadcasts. E-MEX's work involves regular collaboration with composers from the region, through which the ensemble's tirelessly explores unconventional ways of presenting new music. Many of E-MEX's concerts seek to create programmatic connections with visual arts, theater, dance, literature, performance art or multimedia works. The ensemble now has a core of ten musicians.

CHEN Chi-Mi / Sheng
Chen Chi-Mi is a sheng virtuoso and composer, who is currently a member of the National Chinese Orchestra Taiwan (NCO) and the honorary chairman of sheng of the China Nationalities Orchestra Society. In recent years, Chen has collaborated with important musicians and orchestras from Taiwan and abroad. His unique music style is enriched with vivid vitality and artistic appeal.

YANG I-Hua / Zheng
Zheng virtuoso Yang I-Hua received her BFA in Chinese Music from Tainan National University of the Arts and her MA in Musicology from National Taiwan University. In recent years, she has actively participated in modern music performances and received accolades for performing compositions of contemporary music for traditional instruments.

Taiwan Music Institute, National Center for Traditional Arts
The antecedent of the Taiwan Music Institute was the Center of Ethnic Music established by the Council for Cultural Affairs (now the Ministry of Culture) in 1990. In 2002, the Center of Ethnic Music was placed under the National Center for Traditional Arts and renamed the Ethnic Music Research Institute. In 2008, it was renamed again into the Center of Taiwan Music in accordance with an organizational merger. In May 2012, the Ministry of Culture was officially established, and it was renamed Taiwan Music Institute. In 2016, Taiwan Music Institute became headquartered at Taiwan Traditional Theatre Center, where it has strived to preserve historical materials of Taiwanese music and deepen its research. At the same time, the institute has employed performance interpretation, cultivated talents, encouraged original creative work and shared resources to pass down the legacy of Taiwan’s diverse musical culture and spirit to continue the vitality of Taiwanese music.