「劇本」是劇場演出之本；有了自己的原創劇本，才能述說屬於自己這塊土地、人民情感及觀點的戲劇。此次展演，是盜火劇團第一屆「自己的劇本」原創戲劇節作品的其中之一，以劇作家為主角，彰顯原創劇本的價值，為「華文戲劇」的內容生產，找到更多的創作人才。《颱風走在預報前》於非劇場空間實景演出，劇本日常化的語言，營造出強大的戲劇張力和情緒角力，風雨交加、颱風即將來襲的外在環境，呼應室內當下分手現場痛苦、壓抑的氛圍，演員情緒的控制和爆發恰到好處，導演妙筆生花採用開放式的結局，在寫實之架構下，打斷了線性時間和空間，營造出全劇的魔幻氛圍。

The play’s script is the foundation of theatre art. Only original scripts can relate and respond to our own land, emotion, and perspective. Storm off the Forecast was one of the 2016 Sinophone Original Play Biennial performances hosted by Voleur du Feu Theatre. This art festival focuses on the playwrights through highlighting the value of original scripts, and looks for more potential creators of Sinophone drama. Storm off the Forecast was performed in a non-traditional theatre space. The script consisted of the language of daily life, which helped create a strong dramatic tension and wrestling emotions. The external environment of the impending typhoon echoed the painful and depressive indoor atmosphere of the breaking-up couple. The actors' control and outburst of emotions were mastered with precision, and the director ingeniously adopted an open end. Furthermore, the linear time and space of the realistic story-telling was shattered, which gave rise to a magical atmosphere that enshrouded the entire play.

盜火劇團 Voleur du Feu Theatre

盜火劇團由藝術總監謝東寧於2013年所創立，劇團取名「盜火」，是效法希臘神話英雄--普羅米修斯「盜火」造福人類，盜火劇團企圖以劇場力量，走入人群、影響社會。 在創作方面，主要開發本土觀點的新創作，亦以導演的總體劇場觀念，詮釋當代新文本及世界經典劇作，期待透過劇場，能夠反映社會真實、土地情感，期待以全球的視野觀看，屬於華人生活的劇場圖像。盜火劇團亦肩負「藝術教育及社區推廣」、「劇團海外交流」、「文化政策研究」…等工作。本團入選為文化部105、106年度「演藝團隊分級獎助計畫」育成級。

Voleur du Feu Theatre was founded by its Artistic Director HSIEH Tung-Ning in 2013. The name of the company is inspired by the Greek myth of Prometheus, who stole fire from Zeus to benefit human beings. The goal of Voleur du Feu Theatre is to enter the public and influence the society with the warmth and power of theatre.

Voleur du Feu Theatre predominantly focuses on producing new creations with ethnic Chinese perspectives. Meanwhile, the theatre company also adapts contemporary new scripts and classical scripts through the theoretical concept of total theatre, hoping to respond to social reality and local sentiments while perceiving the Sinophone theatre through a global perspective.

Voleur du Feu Theatre also engages in works about "Art Education and Promotion in Community," "International Exchange," and "Cultural Policy Research." The theatre company has been an incubation grant recipient of the Performance Troup Grant Project initiated by the Ministry of Culture in 2016 and 2017.

胡錦筵 WU Ching-Yan

台北藝術大學劇本創作研究所畢業。編劇作品包括《第七天是疲倦的一天》、《安娜》、《颱風走在預報前》〈獲第十五屆台新藝術獎季提名〉、《目前想不到》〈獲教育部文藝獎劇本類學生組特優〉、《二樓的聲音》〈獲第十三屆台新藝術獎季提名〉、《三爐沈香》等。

WU Ching-Yan graduated from the Graduate Institute of Playwriting, Taipei National University of the Arts. His works include The Seventh Day Is a Tiring Day, Storm off the Forecast (finalist of the 15^th Taishin Arts Award),Nothing for Now (Distinguished Honor Prize, The MOE Literature and Arts Creation Awards), The Second Floor(nominated for the 13^th Taishin Arts Award), and Burning Incense.

林文尹 LIN Wen-Yin

1975年出生於台北市。台灣藝術大學戲劇系畢，曾就讀東華大學創作與英語文學研究所。1992年接觸台灣小劇場，曾任臨界點劇象錄行政、編導、演員、教育訓練講師，往後多次參與劇場、影像之編劇、導演、演員、設計、幕後助理等工作。2007年以劇情短片《花宅53號》獲第29屆金穗獎最佳演員。 重要劇場導演作品：《哈姆雷特的最後一夜》（1999，臨界點劇象錄，首演於臨界點劇象錄生活劇場，作品入選小劇場雙年展）、《白水2003》（2003，臨界點劇象錄，首演於華山藝文中心）、《惡露》（2010，人舞界劇團，首演於再現劇團藝術工場）、《昆西莫多》（2013，小劇場學校，首演於牯嶺街小劇場一樓實驗劇場）。

Born in Taipei in 1975, LIN Wen-Yin graduated from the Department of Theatre, National Taiwan University of Arts, and has attended the Graduate Institute of Creative Writing and English Literature, National Dong Hwa University. LIN first stepped into Taiwanese avant-garde theatre in 1992, and has worked as administrator, playwright, director, actor, training instructor at Critical Point Theatre Phenomenon. Afterwards, he also engaged in various works, such as playwriting, directing, performing, design, theatre assistant work, etc. In 2007, he won the Best Actor for his performance in the short film, 53 Flower House, at the 29^th Golden Harvest Awards for Outstanding Short Films. He has directed many works, including The Last Night of Hamlet (produced and premiered by Critical Point Theatre Phenomenon in 1999, and was selected into the Avant-garde Theatre Biennial), White Water 2003(produced by Critical Point Theatre Phenomenon and premiered at Huashan 1914 Creative Park in 2003), The Filth(produced by Flourish Theatre Company and premiered at Representation Theatre in 2010), and Quasimodo(produced by The Little Theatre School and premiered at Guling Street Avant-garde Theatre in 2013).