入圍理由 Reason for Nomination

投影紙幕是螢幕也是「樂器」，滿載玩具的三輪車是道具也是樂器，雨傘人是演員也是演奏者；沒有台詞，演員安靜「無聲」，只有樂器、玩具、日常生活器具所發出的聲音。從無到有，由團員作曲及演奏，配合導演、燈光的劇場設計，雖沒有具體的劇情，但視覺畫面的構建與肢體動作，與聲響串連成一段段詩意的畫面，卻自有其敘事性。充滿創意卻又不嘩眾取寵，展現出另一種型態的擊樂表演藝術，堪稱是在黑盒子小劇場中的一場小而美的演出。提名觀察人—陳惠湄

In this work, a projection paper screen was simultaneously a “musical instrument”, a tricycle full of toys was a prop and a musical instrument, and the umbrella man was a performer as well as a musician. The performers had no lines. They were “silent” and only sounds made from the musical instruments, toys and everyday objects were heard. From nothing to something, the performers composed and played the music, following the theatrical design of the director and the lighting. Although it had no concrete story, the visual construction, the bodily movements, and the sounds formed a series of poetic, narrative images. It was creative but not eager to please the audience. The work demonstrated another kind of percussion performance, and was a small but exquisite performance in the field of the black box theater. (Commentator: CHEN Hui-Mei)