《李明維與他的關係：參與的藝術》一展為北美館與日本森美術館合辦，引介2014年於東京森美術館展出之《李明維與他的關係》亞洲巡迴展至台展出，本次展覽集結了藝術家李明維自1995年以來15個重要藝術計畫，其中包含藝術家特為北美館創作的新作《如實曲徑》。藉此次機會，台灣的觀眾有機會綜觀臺灣重要行為及觀念藝術家李明維20年間創作生涯的全貌，並能夠以不同型式，參與藝術家的互動式計畫。
“Lee Mingwei and His Relations: The Art of Participation” is a joint exhibition between Taipei Fine Arts Museum and Mori Art Museum in bringing the survey exhibition “Lee Mingwei and His Relations” from Mori Art Museum to Taiwan. This exhibition features 15 major projects from Lee Mingwei since 1995, including a new site-specific work Our Labyrinth created for Taipei Fine Arts Museum. This is an opportunity for the public to experience the work of Taiwanese-American performance and conceptual artist Lee Mingwei as well as participate in interactive projects.
李明維Lee Mingwei
1964年生於台灣，目前居住於紐約及巴黎。畢業後即獲邀在惠特尼美術館個展，以互動性的觀念藝術空間裝置，數度為紐約時報、洛杉磯時報、波士頓全球報等全版篇幅報導。
李明維擅於透過與陌生人的互動，在彼此逐漸熟悉的過程裡和自我意識的覺醒間，探索信任與親密等議題。藝術家透過食衣住臥等生活作息，探索日常事件的核心本質。而不同的記錄模式，使參與者主動開創出的對話持續在展覽中進行著，也豐富了原有的展出形貌與更加開放的公眾面向。
Born in Taiwan in 1964 and currently living in Paris and New York City, Lee Mingwei creates participatory installations, where strangers can explore issues of trust, intimacy, and self-awareness, and one-on-one events, where visitors contemplate these issues with the artist through eating, sleeping, walking and conversation. Lee’s projects are often open-ended scenarios for everyday interaction, and take on different forms with the involvement of participants and change during the course of an exhibition.
Lee received an MFA from Yale University in 1997, and has held solo exhibitions internationally including The Metropolitan Museum of Art, Museum of Modern Art, Whitney Museum of American Art, Museum of Fine Arts Boston, Los Angeles County Museum of Art, Taipei Fine Arts Museum, Queensland Gallery of Modern Art, Mori Art Museum, Ullens Center for Contemporary Art and has been featured in biennials in Venice, Lyon, Liverpool, Taipei, Sydney, Whitney, and Asia Pacific Triennials.
鷹箸絵麻（Ema Takanohashi）、土屋隆英（Takahide Tsuchiya）、中島美々（Miki Nakajima)
方美晶、蕭淑文、雷逸婷、蘇子修、林以婕
朱雨平、黃煦倩
晚餐主人
睡寢主人
客廳主人
平彥寧、汪秀珊、吳成龍、林睿育、徐偉、簡妍臻
林義偉、宮天平、陳玟潔、陳集安、梁又中、黃盈慈
臺北市立美術館
關鍵字
- 裝置
評審談作品
將「參與」落實於觀者與作品展演之間，與觀眾建立良好溝通情境。
入圍理由 Reason for Nomination
展覽內容相當豐富，展現「關係美學」類型創作和相關觀念性藝術的多元表現手法，力道深刻；提供觀者從公共開放空間到有限私密領域等多種藝術觀賞、互動的不同經驗方式，將「參與」落實於觀者與作品展演之間，與社會大眾建立良好溝通與情境；若干作品融入表演藝術、行為藝術的視聽形式與內在精神，更添展場深入淺出的藝術魅力、跨界統合的雋永意趣。提名觀察人—楊美英
With its rich content, the exhibition displayed artworks of “relational aesthetics” and versatile techniques of related artistic concepts. It was powerful as it was profound. From the public open space to the enclosed private sphere, it offered the audience various ways of viewing art and interaction, enabling their “participation” in the display of the artworks while establishing an ideal ambience for communicating with them. Some of the artworks also incorporated the form and essence of performing arts and performance art, increasing the charisma of the exhibition as it introduced the artistic content in a comprehensible way and conveyed a lasting charm through unifying different disciplines. (Commentator: YANG Mei-Ying)
年度入選獎得獎理由 Jury’s Statement on Award Winners
李明維出身台灣，活躍國際當代藝壇，其創作表現於既有的西方關係美學脈絡，深掘個人自身的生命處境，投射到群體關懷，進而發展出深具東方思維的特質。
本次展覽內容豐富，展現「關係美學」類型創作及相關觀念藝術的多元表現手法，提供觀者從公共開放空間到有限私密領域的多種藝術觀賞與互動方式，將「參與」落實於觀者與作品展演之間，與觀眾建立良好溝通情境；若干作品融入表演藝術、行為藝術的視聽形式與內在精神，更添展場深入淺出的藝術魅力、跨界統合的雋永意趣。
Born in Taiwan and active in the international art scene, LEE Mingwei creates works that embody both Western relational aesthetics and characteristics of Eastern thinking. By delving into individual life and experience, his art also expands into care for the society.
With its rich content, the exhibition displayed artworks of “relational aesthetics” and versatile techniques of related artistic concepts. From the public, open space to an enclosed, private sphere, the exhibition offered the audience various ways of viewing art and interacting with it, enabling their “participation” in the display of the artworks while establishing an ideal ambience for communicating with them. Some of the artworks also incorporated the form and essence of performing arts and performance art, increasing the charisma of the exhibition as it introduced the artistic content in a comprehensible way and conveyed a lasting charm through unifying different disciplines.
