《擺爛》為臺北藝穗節2014年的邀演節目，靈感與源起除了「擺爛」作為生活中的口頭禪之外，同時在原字義「擺放著腐爛」的生活經驗（蘋果爛掉了）之下，延伸至工作、生活中不願面對的種種事件、情緒與狀態。
演出內容以松菸LAB實驗室的空間格局出發，同時截用時事「冰桶挑戰」之肢體與視覺意象，以生活中各式百廢聊賴作為創作的主題：焦躁、焦慮、無聊、尷尬、虛度、等待、浪費、空等、空、自暴自棄、疲勞與疲憊、忍受至無可忍等，將《擺爛》之主題具體演現，開展各種意象與視聽可能。
風格涉 Style Lab
「風格涉」劇團以李銘宸為創作核心，依不同演出主題及製作狀況而組織人員及團隊編制。作品多發展自物件及場域，以集體即興創作之方式，並置或賦予其視聽文本，關注空間質地及材質與人的關係，以視覺畫面及氛圍意象敘事，積極嘗試各類創作途徑及方法，創作環境劇場的表現可能。
LI Ming-chen is the key figure of Style Lab Theater Company, which organizes its personnel and required teams according to different subjects of performance and the condition of production. Their works are usually developed from objects and sites, adopting a method of collective improvisation to juxtapose and embed the performing texts with a kind of relationship between the texture of the site and the people. Their performances often use visual images and atmosphere to narrate elements of a story, and they are active in trying out different creative means and methods, hoping to find new possibilities of expression in site-specific theater.
李銘宸
吳立翔、曾歆雁、楊智淳、陳以恩、陳煜典、田孝慈、黃煌智 燈光 / 舞台：陳冠霖
松山文創園區Lab實驗室
關鍵字
- 劇場
- 肢體
- 重複性
- 疲憊
藝術家談作品
累到只想哭。
陳以恩：「我們一直在台上跑，做些讓觀眾摸不著頭緒的事，整齣戲兩個小時，有一半時間在繞圈跑，中間休息時間非常短。我記得有幾次下午場演完，倒在後台休息沒幾分鐘，舞監就提醒說要準備讓觀眾進場。不誇張，那瞬間我就哭了，累到只想哭。」
評審談作品
一齣感官放大版的舞蹈劇場，讓人因其身動力而被如此強烈震撼。
入圍理由 Reason for Nomination
《擺爛》聰明地將具有強烈當代感性的流行術語，轉換成狹長空間中正在生成、正在腐壞的時間與時間中正在生成、正在腐壞的身體，不僅成功解構了傳統劇場或舞蹈訓練對身體的制式規範，也成功解構了劇場中身體作為敘事與表意載體的限制，而得以讓身體徹底扭曲癲狂，以獨舞、群舞的交錯，展開集體歇斯底里的能量流竄，讓一切都只是動作、變化與速度，都只是身體的強度與能動。《擺爛》是一齣感官放大版的舞蹈劇場，讓人因其身動力而被如此強烈震撼。提名觀察人 ─ 張小虹
Leave it Rotten wittedly adopted a popular phrase, which was strongly contemporary, and transformed it into a dance in an elongated space, which was about the simultaneously growing and rotting time, as well as the growing but rotting body in time. It not only effectively deconstructed the formal discipline of the body in traditional theater or dance training, but also successfully deconstructed the restraint of the body as an agent for narrative and signification. By doing so, the body fully submerged in wild contortion, and through interlacing solo and group dances, released the collective hysterical energy, allowing all to be simply manifestations of movements, changes, speed as well as the strength and action of the body. Leave it Rotten was a theatrical dance that amplified the senses, intensely impacting the audience with its bodily force. Nominator: CHANG Hsiao-Hung
